Specifically looking at
the yam seller scene in Invisible Man I think Ellison develops the
Narrator’s character significantly. Immediately before running into the yam
seller the Narrator walks down the street seeing references to religion
intermixed with racist advertisements. His reaction to such advertisements make
extremely angry, he is looking for ways to ignore this feeling when he sees the
yam man by his wagon. When the Narrator smells the yams he feels this nostalgia
to his home in the South. This is strange for the Narrator, because his typical
recollections of home are connected to a sense of shame or forgotten memories.
Here we see him embracing his nostalgia.
At the corner the old man, wrapped in an army
overcoat, his feet covered with gunny sacks, his head in a knitted cap, was
puttering with a stack of paper bags. I saw a crude sign on the side of the
wagon proclaiming YAMS...
This quote goes into
detail about the yam seller himself. Though it may seem small, this description
is very important. From the quote we can tell the yam seller is a poor man,
wearing an old coat, burlap sacks as shoes. The Narrator we know has typically accustomed
himself to stray away from the black people like “this” because of he is
ashamed of being grouped together with them. In addition, the cart says in big
letters “YAMS” allowing whoever is around him to know exactly what he is
purchasing. Looking back at the scene in the restaurant, the Narrator doesn’t
want anyone to link him to his southern roots. But by going up to the yam man,
anyone around would know what he was buying, subsequently admitting his roots.
“Never mind the bag, I’m going to eat it. Here....”
Typically, when eating a food you would associate with
shame you would take it to go, save it for the privacy of your home. By eating
the yam in the street the narrator is outwardly accepting any shame that may
come his way for embracing his southern background. The seller even admits to
the seller than many of his customers take home their yams, and use “their own
butter”. Which I think is a reference to this idea they are “too good” to be
buying from the poor seller and ashamed to embrace their connection with both
the seller and his product.
The narrator describes how the yam makes him feel free.
Previously we have seen him withhold his appetite to fit the “ideal look” he
believes he needs to fulfill. But here we see the narrator is accepting himself
in one of the most natural ways. The narrator describes the humiliation that
can be felt only by indulging the things you love. I think that almost everyone
can relate to this in some way, often times I’ve been at a family gathering and
I feel too ashamed to dance with my parents. But I think on a deeper level,
culture can play a big role in these feelings of shame. For me, I know that I
have to censor myself when talking about the things I love. For the longest
time I wouldn’t eat watermelon. I was able to convince myself and others that I
didn’t like it. But what I really didn’t like was the stereotypes this simple
fruit carried upon it. Admitting how much I really do enjoy Popeye’s
chicken always make me a feel a little hesitant. I am afraid that once I admit
this I am opening myself up to teasing from others, making me not want to eat
something I enjoy. I can imagine this experience is similar for Asian students,
there are various types of Asian cuisine from various countries, and there are
various ways to make them. Instead of embracing this extraordinary aspect of Asian
culture, I’ve seen white people make jokes and mock others for the types of
food they eat. Though it may seem like a small problem, for me I have, and I
continue to struggle to accept and indulge in the things I truly love without
feeling instantly humiliated.
In the end of the yam scene the Narrator is no longer humiliated, “They’re my birthmark,” I said. “I yam what I yam”. The Narrator embraces all the roots and all that comes along with himself, a yam eater in this case. The connotations that come along with this identity no longer bother him. Instead he is so overcome by this freedom he tries to ignore the fullness of his stomach to extend this free feeling. I think this short scene in Invisible Man characterizes a lot of ideas about how a small thing, like eating a food you like, can be so meaningful in terms of the sense of freedom you may feel as an individual.
Wow, that was a really in depth examination of the scene, and you even put in your personal experiences to better help explain and identify with the feelings the narrator was experiencing. Your expansion and explanation about the vendor saying people usually take the yams home and use their own butter was really interesting, I had just assumed that it meant that the people were usually too busy, instead of being ashamed; but it makes way more sense the way you put it.
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ReplyDeleteI think the Narrator's experience with his nostalgia triggered by the smell of cooking yams is a vital moment in the progression of the Narrator's beliefs. He now feels pride --rather than shame -- at his Southern background, leading him to speak out against the injustices of African-Americans in the eviction scene. However we still see that his will to speak out doesn't yet have a direction which is soon provided by the Brotherhood in the context of post-racialism.
ReplyDeleteThis scene appears in significant contrast to the earlier scene at the diner, where the narrator refuses the grits, a southern-associated food, and instead asks for toast and coffee, a northern-associated food. The narrator prides himself in rejecting his Southern culture and assimilating to the North by requesting the toast instead of the southern meal. The yam scene then takes a radical 180 degree turn from this previous scene, as it depicts the narrator exhibiting emotion and pride for his Southern past, emotion and pride which will carry over to the eviction scene and cause him to have the drive and confidence to speak out to the crowd of people.
ReplyDeleteI loved this scene and I love this blog post. I thought this scene was so different from how we usually had seen the narrator. I mean he hadn't really thought about his family or home since right before he arrived in New York. But in this scene we are are shown that he still feels some connection to his home that we are given a rather dire racist picture of in the beginning of the book. I thought what you brought up about the shame of the yams was really interesting. In the context of this scene it almost seems that he is too overcome with nostalgia to feel that shame, and then realizes that he is glad to not have felt that shame and feels it shows growth.
ReplyDeleteThis was one of my favorite scenes in the novel and your post does a great job working through the narrator's complicated feelings -- this is one of the few times we see the narrator "happy" or enjoying something in his life that does not have "strings attached" that *negatively* impact his life. The yam brings him back to his childhood in a *positive* way, where almost all other aspects of his earlier life that the narrator refers to he feels shame for. Even if one doesn't like yams, everyone on the planet should be able to relate to the joy the narrator experiences while eating this, especially when it is described so eloquently by Ellison.
ReplyDeleteI too love this sequence, and I love talking about it in class. One of the many typically Ellisonian ironies that undermines the narrator's ecstasy of self-acceptance here, proudly eating his yams on the street and not caring who sees him (which indeed the reader experiences as a powerful moment of growth and self-realization, even though it's about to be co-opted by Brother Jack), is that, as far as we can tell, the street is pretty much empty. It's a cold winter day, and the narrator and the yam-seller are the only two people mentioned. The narrator is proudly declaring his love for yams, but no one is there to listen.
ReplyDeleteGiven how his speech on behalf of the elderly southern couple being evicted is so strongly motivated by their resemblance to his grandparents and people he knew in the South, though, we could see that much more public declaration as a variation on "I am what I yam."